John Anthony West

John Anthony West (born 1932 in New York) is an American author, lecturer, guide and a proponent of Sphinx water erosion hypothesis in geology.

Influenced by R. A. Schwaller de Lubicz, in 1993 his work with Robert M. Schoch, a geologist and associate professor of natural science at the College of General Studies at Boston University was presented by Charlton Heston in a NBC special called “The Mystery of the Sphinx” that won West a News & Documentary Emmy Award for Best Research and a nomination for Best Documentary. The documentary contends that the main type of weathering evident on the Great Sphinx and surrounding enclosure walls could only have been caused by prolonged and extensive rainfall during the time period from 10,000 to 5000 BCE and was carved out of limestone bedrock by an ancient advanced culture (such as the Heavy Neolithic Qaraoun culture). This challenged the conventional dating of the carving of the statue circa 2500 BCE. West suggested that the Sphinx may be over twice as old as originally determined, whereas Schoch made a more conservative determination of between 5000 and 7000 BCE.

Anthony West

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Gustave Moreau

Gustave Moreau (French: [mɔʁo]; 6 April 1826 – 18 April 1898) was a French Symbolist painter whose main emphasis was the illustration of biblical and mythological figures. As a painter, Moreau appealed to the imaginations of some Symbolist writers and artists.

Biography

Moreau was born in Paris. His father, Louis Jean Marie Moreau, was an architect, who recognized his talent. His mother was Adele Pauline des Moutiers. Moreau initially studied under the guidance of François-Édouard Picot and became a friend of Théodore Chassériau, whose work strongly influenced his own. Moreau had a 25-year personal relationship, possibly romantic, with Adelaide-Alexandrine Dureux, a woman whom he drew several times. His first painting was a Pietà which is now located in the cathedral at Angoulême. He showed A Scene from the Song of Songs and The Death of Darius in the Salon of 1853. In 1853 he contributed Athenians with the Minotaur and Moses Putting Off his Sandals within Sight of the Promised Land to the Great Exhibition.

Edvard Munch

Edvard Munch (/mʊŋk/;Norwegian: [ˈɛdvɑʈ muŋk]  ( listen); 12 December 1863 – 23 January 1944) was a Norwegian painter and printmaker whose intensely evocative treatment of psychological themes built upon some of the main tenets of late 19th-century Symbolism and greatly influenced German Expressionism in the early 20th century. One of his most well-known works is The Scream of 1893.

Life

Childhood

Edvard Munch was born in a farmhouse in the village of Ådalsbruk in Løten, Norway, to Laura Catherine Bjølstad and Christian Munch, the son of a priest. Christian was a doctor and medical officer who married Laura, a woman half his age, in 1861. Edvard had an elder sister, Johanne Sophie, and three younger siblings: Peter Andreas, Laura Catherine, and Inger Marie. Both Sophie and Edvard appear to have inherited their artistic talent from their mother. Edvard Munch was related to painter Jacob Munch and historian Peter Andreas Munch.

The family moved to Christiania (now Oslo) in 1864 when Christian Munch was appointed medical officer at Akershus Fortress. Edvard's mother died of tuberculosis in 1868, as did Munch's favorite sister Johanne Sophie in 1877. After their mother's death, the Munch siblings were raised by their father and by their aunt Karen. Often ill for much of the winters and kept out of school, Edvard would draw to keep himself occupied. He was tutored by his school mates and his aunt. Christian Munch also instructed his son in history and literature, and entertained the children with vivid ghost-stories and the tales of American writer Edgar Allan Poe.